"counter-melody" meaning in All languages combined

{
  "forms": [
    {
      "form": "counter-melodies",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "head": "counter-melody"
      },
      "expansion": "counter-melody (plural counter-melodies)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "countermelody"
        }
      ],
      "categories": [
        {
          "kind": "other",
          "name": "English entries with incorrect language header",
          "parents": [
            "Entries with incorrect language header",
            "Entry maintenance"
          ],
          "source": "w"
        },
        {
          "kind": "other",
          "name": "Pages with 1 entry",
          "parents": [],
          "source": "w"
        }
      ],
      "examples": [
        {
          "ref": "1997, John Whenham, Julian Rushton, Monteverdi: Vespers (1610), page 76",
          "text": "The accompanying texture, too, is rather more than a simple filling in of the harmony. In the first phrase, for example, the beginning of the counter-melody in the Sextus part is shadowed in shorter note values in the tenor of Choir 1 and the alto of Choir 2, while the rising scale of the plainsong (bars 2-3 (Bt 3-5)) is shadowed by the bass of Choir 2.",
          "type": "quotation"
        },
        {
          "ref": "2004, Jerry Nowak, Henry Nowak, The Art of Expressive Playing, page 76",
          "text": "This section has compositional elements including melody, counter-melody, sustained harmony, rhythmic harmonic accompaniment, bass line and rhythmic accompaniment, but they are all marked mf.",
          "type": "quotation"
        },
        {
          "ref": "2011, Steven Suskin, The Sound of Broadway Music",
          "text": "The first violin played the tune throughout, the second violin and the viola played after-beats (the pahs), the cello had some kind of sustained counter-melody or doubled the bass, who played the ooms.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of countermelody"
      ],
      "id": "en-counter-melody-en-noun-Q90LCeRw",
      "links": [
        [
          "countermelody",
          "countermelody#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "counter-melody"
}

{
  "forms": [
    {
      "form": "counter-melodies",
      "tags": [
        "plural"
      ]
    }
  ],
  "head_templates": [
    {
      "args": {
        "head": "counter-melody"
      },
      "expansion": "counter-melody (plural counter-melodies)",
      "name": "en-noun"
    }
  ],
  "lang": "English",
  "lang_code": "en",
  "pos": "noun",
  "senses": [
    {
      "alt_of": [
        {
          "word": "countermelody"
        }
      ],
      "categories": [
        "English countable nouns",
        "English entries with incorrect language header",
        "English lemmas",
        "English multiword terms",
        "English nouns",
        "English terms with quotations",
        "Pages with 1 entry"
      ],
      "examples": [
        {
          "ref": "1997, John Whenham, Julian Rushton, Monteverdi: Vespers (1610), page 76",
          "text": "The accompanying texture, too, is rather more than a simple filling in of the harmony. In the first phrase, for example, the beginning of the counter-melody in the Sextus part is shadowed in shorter note values in the tenor of Choir 1 and the alto of Choir 2, while the rising scale of the plainsong (bars 2-3 (Bt 3-5)) is shadowed by the bass of Choir 2.",
          "type": "quotation"
        },
        {
          "ref": "2004, Jerry Nowak, Henry Nowak, The Art of Expressive Playing, page 76",
          "text": "This section has compositional elements including melody, counter-melody, sustained harmony, rhythmic harmonic accompaniment, bass line and rhythmic accompaniment, but they are all marked mf.",
          "type": "quotation"
        },
        {
          "ref": "2011, Steven Suskin, The Sound of Broadway Music",
          "text": "The first violin played the tune throughout, the second violin and the viola played after-beats (the pahs), the cello had some kind of sustained counter-melody or doubled the bass, who played the ooms.",
          "type": "quotation"
        }
      ],
      "glosses": [
        "Alternative form of countermelody"
      ],
      "links": [
        [
          "countermelody",
          "countermelody#English"
        ]
      ],
      "tags": [
        "alt-of",
        "alternative"
      ]
    }
  ],
  "word": "counter-melody"
}